William Reichard
Your Subtitle text

contact:  williamreichard@comcast.net

UPCOMING READINGS - SPRING 2010
Tuesday, February 23 - 3:30PM
Carleton College - Northfield, MN
The Athenaeum - Gould Library

Saturday, April 3 - 7:00PM
The Loft Literary Center
Open Book - Minneapolis

Tuesday, April 6 - 4:00PM
University of Minnesota Bookstore
Coffman Union - East Bank - Minneapolis

Tuesday, April 13 - 7:30PM
Common Good Books
165 Western Ave. N. - Lower Level
Saint Paul, MN  55102

Thursday, April 15
Write on Radio - KFAI - Minneapolis

Tuesday, April 27 - 7:00PM
Third Place Books
17171 Bothell Way NE
Lake Forest Park, WA 98155

Thursday, May 6 - 7:00PM
Rogue Buddha Gallery
357 13th Ave. NE - Minneapolis

William Reichard is a writer, editor, and educator. He is the author of three collections of poetry: This Brightness and How Tofrom Mid-List Press, and An Alchemy in the Bones from New Rivers Press. His fourth collection, Sin Eater, will be published by Mid-List Press in Spring 2010. Reichard has published a chapbook, To Be Quietly Spoken, from Frith Press, and he revised and edited the award-winning memoir, The Evening Crowd at Kirmser's: A Gay Life in the 1940's, by the late Ricardo Brown, published my the University of Minnesota Press. 

Reichard is a Program Director/Faculty member for the Higher Education Consortium for Urban Affairs, where he teaches two interdisciplinary seminars on the intersections of art, literature, and social justice: Writing for Social Change and City Arts. Reichard holds a Ph.D in Contemporary American Literature and an MA in Creative Writing, both from the University of Minnesota. He lives in Saint Paul, MN.

William Reichard is the recipient of several fellowships and awards. His second book, How To, was one of five finalists for the James Laughlin Award from the Academy of American Poets. An Alchemy in the Bones won a Minnesota Voices Prize, and was a finalist for a Minnesota Book Award, as was This Brightness. Reichard has been an artist in residence at the Headlands Center for the Arts and at the Centrum Foundation. He's received grants and awards from the Jerome Foundation, the Minnesota State Arts Board, AWP, SASE: The Write Place, and The Loft Literary Center.

This Brightness is as radiant as it is precise, rare not only in the generosity of its attentions, its resourcefulness in illuminating the strangely familiar, the domestic otherness of the near at hand, but also in its addiction to joy, even at its most heartbreaking, its affectionate take on a realm rendered with such economy, such grace, that it risks the most unabashed engagements without relaxing into the sentimental. However gripping or quiet the transformation, there is maturity of sensibility here, neither restrictive nor ostentatious, impoverished nor decadent, aloof not brash. Such is the sureness of the poet's imaginative care, his verbal reverence, the power of the personal clarified by modesty. A deeply restorative book.

Bruce Bond

Full of forgiveness and love, How To shows William Reichard taking on the work of the long haul - seeing clearly and then painting, steadily painting, with all of the luminous words he has at hand. I'm thankful for this poet who arranges the universe and then, in moments of tenderest compassion, willingly lets it go.

Mary Logue


“It’s about what can be bent,” William Reichard writes in a poem called “Bonsai.”  These poems, too, are about the ways we’re bent by experience:  by loss and by desire, by love and difficulty.  The poems in An Alchemy in the Bones are beautifully open to the “bent” in all its senses:  the not-straight, the damaged, the curves the world throws us.  These delicately etched lyrics are attentive to what Reichard calls “the intricacy of emotion;” it doesn’t surprise, then, that this poet has a particular gift for the love poem, for the text of tenderness, the body’s “dazzling code.”

Mark Doty

Here William Reichard makes a splendid debut, with a volume of memories and predilections recounted in a voice always heartfelt, pensive, musical.  Rare gift:  he is interested in other people.  The result is a poetry of generosity.

Wayne Koestenbaum

Bill Reichard belongs to the great American lyric tradition that includes Roethke and James Wright, though he writes with a contemporary edge all his own.  I found An Alchemy in the Bones intensely moving from poem to poem, keen in its observations, brilliant in its language, and what is most exciting--utterly trustworthy in its emotional wisdom.  “I’m making sense of the small things,” one of the gorgeous prose poems says disarmingly.  But this collection marks a debut that is a very big deal indeed.

Patricia Hampl

Web Hosting Companies